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INSIEME PER ARRIVARE PIÙ LONTANO. MUSEI ED ENOGASTRONOMIA: UNA RELAZIONE VIRTUOSA PER LO SVILUPPO DEL TERRITORIO

The aim of this work is to deepen, through the presentation of some cases, the relationship between museums and food and wine, in order to highlight how the mutual synergy can derive positive effects for both sectors. The relationship between museums and food and wine productions can in fact derive significant benefits not only in terms of local development, as in the case of projects aimed at the recovery of ancient cultivation methods, but also in terms of visibility, as in the case of co-branding strategies. As well as, finally, in terms of implementing new fundraising channels and extending the cultural experience for the visitor, as in the case of merchandising. Ludovico Solima, Pasquale Sasso

IL MONASTERO DI SANTA MARIA MADDALENA DE’ PAZZI DEL SANTISSIMO SACRAMENTO DI NAPOLI. STORIA DEL COMPLESSO MONASTICO

Located on the hill called Infrascata, Santa Maria Maddalena de’ Pazzi’s convent is witness of three centuries of city history. The continuity of use of the site has led to the conversion of the settlement to various destinations, linked to the changements of the surrounding urban context and to gradual or radical transformations. The research presented in this magazine traces the historical events of the convent, of its links with the oldest monastery of the Croce di Lucca, starting from the foundation of the monastery on the initiative of Sister Angelica Gambacorta, passing through the munificence of Donna Camilla Antinori and Donna Giulia Nave, until reaching the apex of its splendor with the intervention of the rich merchant Gaspare Roomer. Investigation was carried out through reading, documentary analysis and deepening study of the most significant events already exhibited in the volume entitled “La prima chiesa dedicata a Santa Maria Maddalena de’ Pazzi” of the carmelitan P. Andrea Mastelloni and framed in an historical and geographical panorama. Maurizio Rea

IL NETTUNO INQUIETO. CELEBRAZIONE DEL POTERE E NECESSITÀ FUNZIONALI NEL LENTO PEREGRINARE DI UNA FONTANA NAPOLETANA

Public fountains have always characterized the city, overcoming every functional aspect to take on the role of street furniture to facilitate the use of urban places usually destined for meeting and socializing. Having finished their original task, the fountains give completeness and organicity to different urban areas, useful for the recovery and improvement of the image of the historic city. In spite of that, when definitively freed from any functional tie, the fountains undergo transformations or transfers especially if their presence is incompatible with the urban changes to which the city is inevitably subject. Specifically in the city of Naples, in a millenary urban fabric very rich in extraordinary architectural value fountains, the question is even more complex because the fountains have rarely survived the urban transformations, and even less are those preserved today in the original places. As in no other ‘ancien regime’ great capital, the Neapolitan fountains have in fact accompanied the growth of the city from the viceregal period to the ‘Risanamento’ at the end of the nineteenth century; in particular, the paper analyses the events of the fountain of Neptune, built at the end of the sixteenth century and subject of an extraordinarily high number of movements and reintegrations in the space of over four centuries. Giuseppe Pignatelli

GLI ALLESTIMENTI MUSEALI. CONSERVAZIONE E ADEGUAMENTO NEL MUSEO CONTEMPORANEO

The two fundamental tasks of any museum are to guarantee the preservation of cultural heritage and to transmit its significance to the community through the means of communication at its disposal, first and foremost public display. The exhibition design acts as a narrative path which, from the physical structure of the museum, reaches the visitor in a process of progressive discovery and knowledge of the works or contents on display. The experience of the refurbishment of the 38 rooms of the Pinacoteca di Brera, started in 2016 and concluded in 2018, was the starting point for an analysis on the conservation and adaptation of museum displays. The theme is very contemporary and re-emerges every time we start to rearrange a museum's collections and therefore exhibition spaces that have a strong discursive and narrative value of their own and an architectural dignity. Alessandra Quarto

EVOLUZIONE DEL SERVIZIO DI TUTELA DEI MONUMENTI IN ITALIA. VERSO IL MODELLO POMPEI. PRINCIPI DI ORGANIZZAZIONE PER LA CONSERVAZIONE DEL PATRIMONIO CULTURALE

The cultural, social and administrative conditions that have accompanied the concept of «cultural heritage» over time are analyzed. I’m going to investigate the conditions that gave rise to the birth of the protection service in Italy, which later became a model for Europe. The origins can be traced back to the ancient Romans who, first, dictated provisions for the protection and intangibility of monuments. In the contemporary age, however, the first protection bodies come to life in the states that existed before the United Italy. In particular, reference will be made, in the Pontifical State, to the birth of the Consultative Commissions of Fine Arts, then translated into more complex and articulated structures in the current Italian State, with the establishment of the Superintendence for the Excavations of Antiquity for Rome and the provinces Roman. In the field of cultural heritage legislation, the Pontifical State of the nineteenth century occupies a prominent place compared to other states. Mariano Nuzzo

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La chiesa di San Rufo Martire

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INSIEME PER ARRIVARE PIÙ LONTANO. MUSEI ED ENOGASTRONOMIA: UNA RELAZIONE VIRTUOSA PER LO SVILUPPO DEL TERRITORIO

IL MONASTERO DI SANTA MARIA MADDALENA DE’ PAZZI DEL SANTISSIMO SACRAMENTO DI NAPOLI. STORIA DEL COMPLESSO MONASTICO

IL NETTUNO INQUIETO. CELEBRAZIONE DEL POTERE E NECESSITÀ FUNZIONALI NEL LENTO PEREGRINARE DI UNA FONTANA NAPOLETANA

GLI ALLESTIMENTI MUSEALI. CONSERVAZIONE E ADEGUAMENTO NEL MUSEO CONTEMPORANEO

EVOLUZIONE DEL SERVIZIO DI TUTELA DEI MONUMENTI IN ITALIA. VERSO IL MODELLO POMPEI. PRINCIPI DI ORGANIZZAZIONE PER LA CONSERVAZIONE DEL PATRIMONIO CULTURALE

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