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IL GRAN CAVALLO. UN DIPINTO SINTESI DI UN'IDENTITÀ CULTURALE E DI UN TERRITORIO RICCO DI STORIA

The life-size painting The Great Horse depicts a young horse which breed is identified as "Napolitano". Though not confirmed as fact, I attribute the painting to the german painter Carl Borromàus Ruthart. The painting's provenance can also be attributed to the brainding evident on the hindquartes of the hourse. This symbol represents the convent Santissima Annunziata in the town of Sulmona. The painting dates back to no later than the 17th century. The work recaptures the rich tradition of the celebration of the horse. Throuhg time, as evidenced by the passion of owners and breeders alike, horses were often depicted alone and without their owners as a tribute to their beauty. Our painting The Great Horse was acquired by the Winistry of Culture for the Royal Palace of Carditello, through auction, in January 2020 at the Bonhams Auction House in London.

LA RIGENERAZIONE AMBIENTALE E SOCIALE DI UNO SPAZIO APERTO. CITTÀ E SVILUPPO SOSTENIBILE

The theme of urban regeneration finds its fundamental reference in Objective 11 of the 2030 Agenda of the United Nations for Sustainable Development which aims to make cities and human settlements inclusive, safe and sustainable. Goal 11 aims to make the cities of the future green through the reduction of negative impacts on the environment, the enhancement of green areas and safe and inclusive public spaces, with specific attention paid to the urban suburbs. Therefore the concept of urban regeneration will have to concern human behavior precisely, since the power of man over himself and over the environment must be regenerated, in order to rediscover social cohesion, and to identify the limits of economic and consumer growth.

COSA ERA DOVE ERA. UNA RIFLESSIONE TERMINOLOGICA PER UN CAMBIO DI PROSPETTIVA

The reconstruction of the great gap in architecture is often conditioned in common sense by slogans and ideological reflections that focus all attention on the restoration of the image. In this short contribution, the author attempts to overturn the dogmatic problem of image restoration (which is theoretically and practically impossible) by illustrating how we should move from the motto "as it was where it was" to a more correct "what was where it was".

UNA DIMENTICATA TAVOLA TARDO QUATTROCENTESCA A MADDALONI. LA MADONNA DI LORETO TRA I SANTI BONAVENTURA DA BAGNOREGIO E ROSA DA VITERBO NELLA CHIESA DI SAN FRANCESCO D'ASSISI

The city of Maddaloni preserves in the church of San Francesco d'Assisi (commonly known as Sant'Antonio di Padova) two interesting testimonies of late fifteenth-century painting: a Madonna delle Grazie, in the fifth chapel on the left, recently returned to Antonello del Perrino by Pierluigi Leone de Castris, and a Madonna of Loreto between Saints Bonaventura da Bagnoregio and Rosa da Viterbo, in the second chapel on the right, unknown to critics and which is presented here.

L'ARTE MURALE COME TESTIMONIANZA DELLA CREATIVITA' POPOLARE CONTEMPORANEA. ANNOTAZIONI PER LA TUTELA DEL MURALE DI MARADONA AI QUARTIERI SPAGNOLI DI NAPOLI

The text proposes a reinterpretation of Diego Armando Maradona's mural, having evaluated the possibility of considering it a work of art, understood as a material expression of "contemporary creativity", an example of mural art, identity of national culture and public testimony of contemporary popular creativity created by the Italian-Dutch artist Filardi, who is no longer alive. Furthermore, the possibility of its protection and for its conservation and transmission to the future as a demo-ethno-anthropological asset is considered within the scope of the Code of Cultural Heritage.

ANTICHITÀ E BELLE ARTI NELLO STATO…

E LE CAVE CONTINUANO A FUNZIONARE. …

IL COMPLESSO BERNARDINO TELESIO A C…

La chiesa di San Rufo Martire

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IL GRAN CAVALLO. UN DIPINTO SINTESI DI UN'IDENTITÀ CULTURALE E DI UN TERRITORIO RICCO DI STORIA

LA RIGENERAZIONE AMBIENTALE E SOCIALE DI UNO SPAZIO APERTO. CITTÀ E SVILUPPO SOSTENIBILE

COSA ERA DOVE ERA. UNA RIFLESSIONE TERMINOLOGICA PER UN CAMBIO DI PROSPETTIVA

UNA DIMENTICATA TAVOLA TARDO QUATTROCENTESCA A MADDALONI. LA MADONNA DI LORETO TRA I SANTI BONAVENTURA DA BAGNOREGIO E ROSA DA VITERBO NELLA CHIESA DI SAN FRANCESCO D'ASSISI

L'ARTE MURALE COME TESTIMONIANZA DELLA CREATIVITA' POPOLARE CONTEMPORANEA. ANNOTAZIONI PER LA TUTELA DEL MURALE DI MARADONA AI QUARTIERI SPAGNOLI DI NAPOLI

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